ITEM
|
Artist
|
Title
|
RelDate
|
Comment
|
NNS79218.2
|
ADAMS, JOHN
|
FEARFUL SYMMETRIES/THE WOUND-DRESSER
|
10.11.89
|
Minimalism: "The Wound-Dresser" performed by Sanford Sylvan / Naoko
Tanaka / Chris Gekker; "Fearful Symmetries" - (Adams)
|
NNS79549.2
|
ADAMS, JOHN
|
HARMONIUM
|
11.09.00
|
|
NNS79473.2
|
ADAMS, JOHN
|
I Was Looking at the Ceiling & Then Saw the Sky
|
16.11.98
|
Minimalism
|
NNS79193.2
|
ADAMS, JOHN
|
MUSIC FROM NIXON IN CHINA
|
22.11.88
|
|
NNS79465.2
|
Adams,John / Kronos Quartet /
|
Gnarly Buttons / Alleged Dances
|
21.04.98
|
|
|
AFRICA
|
DRUM, CHANT & INSTRUMENTA
|
06.11.89
|
|
NNS61528.2
|
Arbore,Renzo & Orchestra Italiana
|
Napoli: Punto E a Capo
|
08.06.93
|
WORLD w/Roberto Murolo - Vocals/ Francesca Schiavo - Vocals, Voices,
Choir, Chorus/ Claudio Catalli - Accordion, Fisarmonica/ Giovanni Imparato - Percussion, Vocals,
Voices, Choir, Chorus/ Michele Montefusco - Guitar (Acoustic), Choir, Chorus, Chitarrone, Guitar
(Classical)
|
NNS61676.2
|
Arbore,Renzo & Orchestra Italiana
|
Napoli: Due Punti E a Capo
|
21.06.94
|
WORLD w/Jim Beach - Arranger, Vocals, Vocals (bckgr), Guitar (Classical)/
Francesca Schiavo - Vocals, Vocals (bckgr)/ Claudio Catalli - Accordion, Vocals (bckgr)/ Giovanni
Imparato - Percussion, Conga, Vocals, Vocals (bckgr)
|
NNS79179.2
|
Assad,Sergio & Odair
|
Alma Brasileira
|
03.11.91
|
The Assad brothers interpret wonderfully a sophisticated set of Brazilian
composers that goes from classical Villa-Lobos to popular Wagner Tiso, from erudite Marlos Nobre
to the Brazilian jazz proponent Hermeto Pascoal, from the classically trained popular composer
Egberto Gismonti to the classically trained popular composer Radames Gnattali, and they even play
Sergio Assad's compositions
|
NNS79241.2
|
Azrie,Abed
|
Aromates
|
01.07.91
|
Styles: Ethnic Fusion, Worldbeat
|
NNS79357.2
|
Bass,Fontella
|
No Ways Tired
|
28.02.95
|
The Institutional Radio Choir, David Sanborn's crying sax, and Lester
Bowie's piercing trumpet assists Bass on 11 uplifting numbers
|
NNS79455.2
|
Bittova,Iva
|
Iva Bittova
|
17.02.98
|
Iva Bittova is a one-woman band from the Czech Republic. She plays
violin, sometimes viola, and sings — or rather, she sings, croons, grunts, and makes funny sounds
like a madwoman
|
NNS79567.2
|
Bocoum,Afel
|
Alkibar
|
21.09.99
|
Bocoum accompanies his own vocals on guitar and composed most of the
selections himself
|
|
BOSTON CAMERATA
|
With Joyful Voice: Christmas Music of Eight Centuries
|
30.07.90
|
2-CD Is different from the average holiday album, since it relies entirely
on religious songs and hymns, all from centuries ago
|
NNS79280.2
|
Byron,Don
|
Tuskegee Experiments
|
04.02.92
|
Byron, doubling on clarinet and bass clarinet, is heard in settings
ranging from an unaccompanied solo and duets with bassist Reggie Workman and pianist Joe Berkovitz
to medium-size groups with such sidemen as guitarist Bill Frisell, bassist Lonnie Plaxico, drummer
Ralph Peterson Jr., pianist Edsel Gomez, and others
|
NNS79438.2
|
Byron,Don
|
Bug Music
|
15.10.96
|
This CD is a tribute to the music of Raymond Scott's Quintette, John
Kirby's Sextet and Duke Ellington headed by the remarkably versatile clarinetist Don Byron
|
NNS79354.2
|
Byron,Don
|
Music for Six Musicians
|
28.02.95
|
The sextet features Graham Haynes on cornet, Kenny Davis on electric
bass, Jerry Gonzalez on congas, and Ben Wittman on drums, pianist Edsel Gomez. Four special guests
appear (guitarist Bill Frisell, bassists Lonnie Plaxico and Andy Gonzalez, drummer Ralph Peterson
|
NNS79313.2
|
Byron,Don
|
Don Byron Plays the Music of Mickey Katz
|
01.06.93
|
Clarinetist Mickey Katz, whose 1945-47 tenure with Spike Jones spawned
a comedy band that launched such funny travesties as the Yiddish cowpoke ditty "Haim Afen Range"
or the Jewish-Hawaiian "Mechaye War Chant."
|
NNS79604.2
|
CONNETTE & COHEN
|
LAST FOREVER
|
06.11.00
|
|
NNS79512.2
|
Conte,Paolo
|
Paolo Conte
|
09.06.98
|
Collection of the Italian singer/songwriter's music that is readily
available in America
|
NNS79682.2
|
Enescu / Kremerata Baltica / K
|
Octet & Quintet
|
21.05.02
|
|
NNS79180.2
|
Ensemble Alcatraz
|
Visions & Miracles
|
28.05.92
|
Cheryl Ann Fulton - Harp/ Shira Kammen - Lyre, Vielle, Rebec/ Anne
Hodgkinson - Soprano (Vocal)/ Peter Maund - Percussion
|
NNS79320.2
|
Feldman,Morton / Kronos Quartet
|
Piano & String Quartet
|
28.09.93
|
|
NNS79532.2
|
Ferrer,Ibrahim
|
Buena Vista Social Club Presents
|
08.06.99
|
Ibrahim Ferrer, most of those musicians (who had been legendary in
the '40s through the '70s) hadn't been performing professionally in decades
|
NNS79175.2
|
Fine,Irving
|
Notturno / Partita
|
27.05.92
|
Irving Fine - Notturno for strings & harp/ Irving Fine - Partita
for Wind Quintet/ Irving Fine - String Quartet/ Irving Fine - The Hour Glass, for 4 voices/ Irving
Fine - Serious Song, lament for string orchestra
|
NNS79479.2
|
Frisell,Bill
|
Gone Just Like a Train
|
06.01.98
|
w/drummer Jim Keltner (best known for his records with George Harrison,
Eric Clapton and other rock stars) and bassist Viktor Krauss (a fixture in Lyle Lovett's country
band)
|
NNS79415.2
|
Frisell,Bill
|
Nashville
|
29.04.97
|
The vague country elements long dwelling on the fringes of Bill Frisell's
music rise to the forefront on Nashville, an exquisitely atmospheric collection recorded in Music
City with the aid of dobro legend Jerry Douglas, Union Station members Adam Steffey and Ron Block,
and Lyle Lovett's Large Band bassist Viktor Krauss
|
NNS61181.2
|
Frisell,Bill
|
Where in the World
|
16.10.91
|
w/Hank Roberts - Fiddle, Cello/ Joey Baron - Drums/ Kermit Driscoll
- Bass
|
NNS79401.2
|
Frisell,Bill
|
Quartet
|
09.04.96
|
w/trumpeter Ron Miles, trombonist Curtis Fowlkes and Eyvind Kang, who
doubles on violin and tuba
|
NNS60843.2
|
Frisell,Bill
|
Before We Were Born
|
25.10.90
|
1988 Recording w/Julius Hemphill - Sax (Alto)/ Hank Roberts - Cello,
Vocals/ Arto Lindsay - Arranger, Guitar (Electric), Vocals/ Joey Baron - Percussion, Drums, Electronics/
Kermit Driscoll - Bass (Electric)/ Peter Scherer - Keyboards, Programming, Producer, Drum Programming,
Keyboard Bass/ Doug Wieselman - Sax (Baritone)/ Billy Drewes - Sax (Alto)
|
NNS79536.2
|
Frisell,Bill
|
Good Dog Happy Man
|
18.05.99
|
Bassist Viktor Krause and drummer Jim Keltner return, now accompanied
by Wayne Horvitz's understated organ and piano; Greg Leisz on as assortment of fretted instruments,
including the dobro, pedal steel guitar and mandolin; and on "Shenandoah," Ry Cooder's atmospheric
guitars
|
NNS79615.2
|
Frisell,Bill
|
Blues Dream
|
30.01.01
|
Ron Miles' trumpet and the relaxed guitar work of Greg Leisz lay the
groundwork for a spacious sound on the title cut
|
NNS60956.2
|
Frisell,Bill
|
Is That You
|
18.05.90
|
Recorded in 1989 while Frisell was still a member of Naked City, w/Joey
Baron - Drums/ Dave Hofstra - Bass, Tuba/ Wayne Horvitz - Bass, Keyboards, Drum Programming
|
NNS79316.2
|
Frisell,Bill
|
This Land
|
15.03.94
|
w/Don Byron (clarinet), Curtis Fowlkes (trombone), and Billy Drewes
(alto sax). with Don Byron (clarinet), Curtis Fowlkes (trombone), and Billy Drewes (alto sax)
|
NNS79583.2
|
Frisell,Bill
|
Ghost Town
|
07.03.00
|
His first true solo album — the first on which he plays all of the
instruments himself
|
NNS79351.2
|
Frisell,Bill
|
High Sign & One Week
|
28.02.95
|
In 1995, Bill Frisell released an instrumental album composed for Buster
Keaton's films High Sign and One Week. The disc acts as the live accompaniment to the silent films,
much like seeing them in their original release form; w/Kermit Driscoll on acoustic and electric
basses and Joey Baron on percussion
|
NNS79652.2
|
Frisell,Bill
|
Willies
|
11.06.02
|
|
NNS79350.2
|
Frisell,Bill
|
Go West: Music for Films of Buster Keaton
|
28.02.95
|
The original soundtrack recording also includes Kermit Driscoll on
acoustic and electric basses and Joey Barron on percussion
|
NNS79301.2
|
Frisell,Bill
|
Have a Little Faith
|
23.02.93
|
Feat. Frisell in a quintet with Don Byron (on clarinet and bass clarinet),
Guy Klucevsek on accordion, bassist Kermit Driscoll, and drummer Joey Baron
|
NNS79624.2
|
Frisell,Bill / Jones,Elvin / Holland, Dave
|
Same As Above
|
02.10.01
|
With Dave Holland and Elvin Jones representing the steadfast rhythm
sections of old, and with Frisell's post-modern tones being among the finest voices moving jazz
forward
|
NNS79498.2
|
GERSHWIN & GERSHWIN
|
STANDARDS & GEMS
|
21.09.98
|
To mark the George Gershwin centenary, Nonesuch Records compiled this
selection of songs that originally appeared on the five studio cast albums-Girl Crazy, Strike
Up The Band, Lady, Be Good!, Pardon My English, and Oh, Kay!-that the company issued between 1990
and 1995 in connection with Roxbury Recordings
|
NNS79250.2
|
GERSHWIN, G.
|
GIRL CRAZY - O.S.T.
|
01.09.98
|
A non-stage restoration of the original 1930 show by George and Ira
Gershwin, conducted by John Mauceri and featuring Lorna Luft, Judy Blazer, and Frank Gorshin
|
NNS79308.2
|
GERSHWIN, G.
|
LADY BE GOOD!
|
01.09.98
|
A reconstruction of the 1924 George and Ira Gershwin musical A reconstruction
of the 1924 George and Ira Gershwin musical
|
NNS79338.2
|
GERSHWIN, G.
|
PARDON MY ENGLISH
|
01.09.98
|
20 Tracks Compilation
|
NNS79287.2
|
GERSHWIN, G.
|
THE PIANO ROLLS
|
01.09.98
|
George Gershwin made 130 piano rolls between 1916-27; 28 were recorded
and released in 1998 on two Nonesuch CDs. This particular release has quite a few obscure Gershwin
songs, including his very first tune
|
NNS79370.2
|
GERSHWIN, G.
|
THE PIANO ROLLS VOL.2
|
01.09.98
|
Part 2
|
NNS79361.2
|
GERSHWIN, G. & I.
|
OH, KAY
|
01.09.98
|
Soundtrack
|
NNS79273.2
|
GERSHWIN, G. & I.
|
STRIKE UP THE BAND
|
01.09.98
|
2-CD
|
NNS60760.2
|
Gilberto,Joao
|
Live in Montreux
|
25.10.90
|
Bossa Nova, Brazilian Jazz, Live
|
NNS79581.2
|
Glass / SGC / Vienna Radio Symphony Orchestra
|
Sym No 3 / Music From: The Voyage/The Civil Wars/The Light
|
30.05.00
|
|
NNS79324.2
|
Glass,Philip
|
Music in 12 Parts
|
17.09.96
|
3CD This early work, still one of his best
|
NNS79113.2
|
Glass,Philip
|
Mishima / O.S.T.
|
25.10.90
|
Philip Glass' soundtrack to Paul Schrader's retelling of the life of
Japanese author Yukio Mishima is one of his strongest early scores, w/The Kronos Quartet
|
NNS79442.2
|
Glass,Philip
|
Secret Agent - O.S.T.
|
03.12.96
|
16 Tracks
|
NNS79660.2
|
Glass,Philip
|
Philip On Film (Box)
|
02.10.01
|
5CD retrospective of Glass' prolific output for the cinema
|
NNS79192.2
|
Glass,Philip
|
Powaqqatsi - O.S.T.
|
25.10.90
|
Philip Glass Ensemble performed the long-underrated "Powaqqatsi" among
his other collaborations with filmmaker Godfrey Reggio, because those electric keyboard works
have outlasted the symphonic stuff. Back in the '80s, Glass didn't seem to think so
|
NNS79325.2
|
Glass,Philip
|
Music With Changing Parts
|
01.02.94
|
Recorded in 1971
|
NNS79209.2
|
Glass,Philip
|
Thin Blue Line - O.S.T.
|
25.10.90
|
The soundtrack to Errol Morris' documentary The Thin Blue Line emphasizes
story over music; the interviews which make up the majority of the film — a crusading effort which
led to the the release of its subject, Randall Adams, from a Texas prison — are presented on record
as they were on screen, with Glass' chamber orchestra music hovering in the background
|
NNS79326.2
|
Glass,Philip
|
Two Pages: Contrary Motion - Music in Fifths
|
01.02.94
|
Two Pages - 17:56/ Contrary Motion - 15:31/ Music in Fifths - 23:19/
Music in Similar Motion - 17:11
|
NNS79693.2
|
Glass,Philip
|
Hours (Score) - O.S.T.
|
10.12.02
|
|
NNS79506.2
|
Glass,Philip
|
Koyaanisqatsi - O.S.T.
|
27.10.98
|
This (abbreviated) soundtrack is capable of generating fascination
and annoyance, often simultaneously
|
NNS79618.2
|
Glass,Philip
|
Symphony 5: Requiem / Bardo &
|
03.10.00
|
2CD
|
NNS79496.2
|
Glass,Philip / Davis
|
Symphony 2 / Interlude From Or
|
21.04.98
|
|
NNS79347.2
|
Glass,Philip / Felty / Purnhag
|
La Belle & la Betk - O.S.T.
|
18.04.95
|
2CD Glass transcends his usual soundtrack work this time by composing
an opera dramatized by a film projected on a screen above the performers — the film in question
being Jean Cocteau's La Belle et la Betк or Beauty and the Beast
|
NNS79323.2
|
Glass,Philip / Fulkerson / Rietz
|
Einstein On the Beach
|
28.09.93
|
3CD 1979 Recording - This opera, composed in 1975 and premiered in
1976, is scored for four principal actors, 12 singers doubling as dancers and actors, a solo violinist,
and an amplified ensemble of keyboards, winds and voices
|
NNS79542.2
|
Glass,Philip / Kronos Quartet
|
Dracula (1931) - O.S.T.
|
31.08.99
|
Philip Glass' 1999 soundtrack for the 1931 film "Dracula" is a well-executed
piece of work, notably for many of its stylistic choices
|
NNS79286.2
|
Glass,Philip / Riesman
|
Hydrogen Jukebox
|
26.10.93
|
A departure for Glass and a new direction for Allen Ginsberg, "Hydrogen
Jukebox" is a great piece of work from two greats in the field of "new art" for the 20th century
|
NNS79329.2
|
Glass,Philip / Riseman
|
Anima Mundi - O.S.T.
|
26.10.93
|
|
NNS79487.2
|
Glass,Philip / Wilson,Robert
|
Civil Wars: Rome Section-Tree Is Best Measured
|
18.05.99
|
|
NNS79477.2
|
Gonzalez,Ruben
|
Introducing...Ruben Gonzalez
|
16.09.97
|
The most jazz-oriented of the elderly musicians in the Buena Vista
Social Club, pianist Ruben Gonzalez was 77 at the time of this CD, his debut as a leader
|
NNS60831.2
|
Hemphill,Julius
|
Julius Hemphill Big Band
|
01.07.91
|
1988 Recording w/Marty Ehrlich - Flute, Sax (Alto), Sax (Soprano)/
Jerome Harris - Bass, Bass (Electric)/ Julius Hemphill - Flute, Arranger, Sax (Alto), Sax (Soprano)/
Jack Wilkins - Guitar/ John Purcell - Flute, Sax (Soprano), Sax (Tenor)/ David Taylor - Trombone
(Bass)/ David Hines - Trumpet/ John Clark - French Horn/ J.D. Parran - Flute, Sax (Baritone)/
Ronnie Burrage - Drums/ Vincent Chancey - French Horn/ Bill Frisell - Guitar/ Gordon Gottlieb
- Percussion/ Frank Lacy - Trombone, Trumpet/ Rasul Siddik - Trumpet/ John Stubblefield - Flute,
Sax (Soprano), Sax (Tenor)
|
NNS79558.2
|
Hersch,Fred
|
Let Yourself Go: Live At Jordan Hall
|
18.05.99
|
This disc documents a faculty recital he played in October of 1998,
a concert that was never intended to be released commercially
|
NNS79395.2
|
Hersch,Fred
|
Passion Flower
|
23.01.96
|
Post-Bop
|
NNS79414.2
|
Hersch,Fred
|
Plays Rodgers & Hammerstein
|
20.08.96
|
This solo piano set mixes together some standards (most notably "It
Might As Well Be Spring" and "The Surrey With the Fringe On Top") with some lesser-known but worthwhile
tunes, including "Loneliness of Evening" and "I Have Dreamed." Hersch's harmonically advanced
yet melodic style transforms even the most unlikely tunes into high-quality jazz
|
NNS79612.2
|
Hersch,Fred
|
Songs Without Words
|
20.03.01
|
3CD: 60 Original works, classic jazz, and, finally, songs by Cole Porter
|
NNS79456.2
|
Hersch,Fred
|
Thelonious
|
13.01.98
|
Pianist Fred Hersch has a very different style than Thelonious Monk
did, and on this solo tribute CD, he does not attempt to closely emulate Monk
|
NNS79468.2
|
Hersch,Fred / Frisell,Bill
|
Songs We Know
|
15.09.98
|
Hersch and Frisell simply decided to perform songs that they have enjoyed
for many years but have rarely had a chance to record
|
NNS61149.2
|
Johnson,Johnnie
|
Johnnie B Bad
|
16.07.91
|
BLUES w/Al Anderson - Guitar, Guitar (Rhythm), Vocals/ Bernie Worrell
- Keyboards, Vocals (bckgr)/ Johnnie Johnson - Piano, Vocals/ Steve Ferguson - Guitar, Vocals/
Terry Adams - Harmonica/ Tom Ardolino - Drums/ Eric Clapton - Guitar/ Michael Ray - Trumpet/ Keith
Richards - Guitar, Vocals (bckgr)/ Joey Spampinato - Bass, Vocals (bckgr)/ Steve Jordan - Drums,
Vocals (bckgr)/ Brian Worrell - Keyboards, Vocals (bckgr)
|
NNS19899.2
|
ISBIN, SHARON
|
JOURNEY TO THE AMAZON
|
04.01.99
|
|
NNS79290.2
|
Kancheli / Kakhidze
|
Symphonies 4 & 5
|
25.08.92
|
|
NNS79601.2
|
Kremer, Gidon/ Kremerata Baltica
|
Tracing Astor
|
15.05.01
|
Tango: Piazzolla
|
NNS79407.2
|
Kremer,Gidon
|
Hommage a Piazzolla
|
24.09.96
|
From the violinist and Piazzolla fanatic Gidon Kremer comes this album
of works by Piazzolla, along with one song in tribute to the legend. He covers a decent range
of Piazzolla's work, moving equally well between slower milongas and faster tangos. The album
starts out with the relatively somber, but quite dramatic Milonga en re
|
NNS79657.2
|
Kremer,Gidon/ Kremerata Baltica
|
Happy Birthday
|
28.01.03
|
|
NNS79582.2
|
Kremer,Gidon/ Kremerata Baltica
|
Silencio
|
10.10.00
|
With the exception of the first movement of Arvo Pдrt's "Tabula Rasa",
the works on this recording explore themes of quiet and introspection
|
NNS79633.2
|
Kremer,Gidon/ Kremerata Baltica
|
After Mozart
|
18.09.01
|
|
NNS79217.2
|
Kronos Quartet
|
Salome Dances
|
20.10.89
|
2CD: Terry Riley - Salome Dances for Peace, 5 pieces for string quartet
- 118:38, 1988
|
NNS79356.2
|
Kronos Quartet
|
Performs Philip Glass
|
07.02.95
|
|
NNS79649.2
|
Kronos Quartet
|
Nuevo
|
09.04.02
|
Music of Mexican composers, from the classical (such as Agustin Lara) to the kitsch (Juan Garcia
Esquivel), and including the impressionistic (Osvaldo Golijov, who did most of the adventurous
arrangements for this disc) and the downright modern (a Cafй Tacuba
piece in collaboration with the band), and made them into a wonderful whole
|
NNS79318.2
|
Kronos Quartet
|
At Grave of Wagner
|
28.09.93
|
|
NNS79181.2
|
Kronos Quartet
|
Winter Was Hard
|
25.10.90
|
Mixing the string quartet with turntablist Christian Marclay's wild
thrashings and vocalist Ohta Hiromi's intensely erotic whisperings was an inspired move; Winter
Was Hard (Sallinen)/ Half-Wolf Dances Mad in Moonlight (Riley)/ Fratres (Part)/ Six Bagatelles
(Webern)/ Forbidden Fruit (Zorn)/ Bella by Barlight (Lurie)/ Four for Tango (Piazzolla)/ Quartet
No. 3 (Schnittke)/ Adagio (Barber)/ Door Is Ajar (Traditional)
|
NNS79346.2
|
Kronos Quartet
|
Night Prayers
|
06.09.94
|
|
NNS79457.2
|
Kronos Quartet
|
Early Music (Lachrymae Antiquae)
|
16.09.97
|
Works of Machaut, Perotin and Tye with pieces by John Cage, Moondog
and Harry Partch, among other 20th-century notables
|
NNS79445.2
|
Kronos Quartet
|
Ghost Opera
|
18.03.97
|
For Tan Dun's "Ghost Opera", the Kronos Quartet had their instrumental
abilities stretched to include various percussion, wind instruments, and vocals and were joined
by pipa virtuoso Wu Man
|
NNS79257.2
|
Kronos Quartet
|
Gorecki: Already It Is Dusk
|
28.05.91
|
String Quartet No. 1 ("Already It Is Dusk"), Op. 62/ Lerchenmusik for
clarinet, cello & piano, Op 53, "Recitatives & Ariosos"
|
NNS79319.2
|
Kronos Quartet
|
Gorecki: String Quartets 1 & 2
|
29.06.93
|
String Quartet No. 1 ("Already It Is Dusk"), Op. 62 1990/ String Quartet
No. 2 ("Quasi una Fantasia"), Op. 64
|
NNS79111.2
|
Kronos Quartet
|
Sculthorpe, Sallinen, Glass and others
|
25.10.90
|
1985 Recording: Peter Sculthorpe - String quartet/ Aulis Sallinen -
String Quartet No. 3 ("Some Aspects of Peltoniemi Hintrik's Funeral March"), Op. 19/ Philip Glass
- Company. for string quartet/string orchestra/ Jimi Hendrix - Purple Haze/ Conlon Nancarrow -
Work(s), String quartet
|
NNS79490.2
|
Kronos Quartet
|
Caravan
|
18.04.00
|
12 Tracks
|
NNS79163.2
|
Kronos Quartet
|
White Man Sleeps
|
25.10.90
|
White Man Sleeps No 1 (Kevin Volans)/ White Man Sleeps No 3 (Volans)/
White Man Sleeps No 5 (Volans)/ Scherzo Holding Your Own/ Pano da Costa (Cloth from the Coast)/
Lonely Woman/ Amazing Grace
|
NNS79444.2
|
Kronos Quartet
|
Dreams & Prayers of Isaac the Blind
|
18.03.97
|
|
NNS79504.2
|
Kronos Quartet
|
25 Years: Retrospective
|
27.10.98
|
10CD Box Set
|
NNS79310.2
|
Kronos Quartet
|
Short Stories
|
09.03.93
|
Digital (Sharp)/ Spoonful (Dixon)/ Spectre (Oswald)/ Cat O' Nine Tails
(Zorn)/ Quartet Euphometric (Cowell)/ Physical Property (Mackey)/ Soliloquy (Johnson)/ Quartet
No. 2 (Gubaidulina)/ ABA Kee Tayk Hamaree (Nath)
|
NNS79332.2
|
Kronos Quartet/ Bob Ostertag
|
All the Rage
|
26.10.93
|
This moving 17-minute CD performed by The Kronos Quartet concerns responses
to the AIDS epidemic
|
NNS79275.2
|
Kronos Quartet
|
Pieces of Africa
|
03.03.92
|
"Pieces of Africa" teems with beguiling melodies, making it one of
this quartet's more accessible projects and also one of its best
|
NNS79242.2
|
Kronos Quartet
|
Black Angels
|
21.06.90
|
George Crumb - Black Angels (Images I), for electric string quartet/
Thomas Tallis - Spem in Alium (also set as "Sing and glorify"), motet for 40 voices, P. 299/ Istvan
Marta - Doom. A Sigh, for voice & Roumanian folk ensemble/ Charles Ives - They Are There!,
song for voice & piano, S. 371 (K. 6B79)/ Dmitry Shostakovich - String Quartet No 8, in C
Minor, Op. 110
|
NNS79372.2
|
Kronos Quartet
|
Howl USA
|
04.06.96
|
Tracks: Sing Sing: J. Edgar Hoover (Daugherty)/ Barstow: Eight Hitchhikers'
Inscriptions (Partch)/ Lawless Things (Johnson)/ Movies (Johnson)/ Light (Johnson)/ Perfect Weapon
(Johnson)/ What Would Have Happed (Johnson)/ Howl I (Hyla)/ Howl II (Hyla)/ Howl III (Hyla)/ Footnote
to Howl (Hyla)
|
NNS79255.2
|
Kronos Quartet
|
String Quartet
|
16.01.91
|
Interprets Witold Lutoslawski's 1964 "String Quartet"
|
NNS79394.2
|
Kronos Quartet
|
Released 1985-1995
|
24.10.95
|
2CD Compilation
|
NNS79611.2
|
Kronos Quartet
|
REQUIEM FOR A DREAM -OST-
|
09.11.00
|
|
NNS79639.2
|
Kronos Quartet
|
REQUIM FOR ADAM
|
04.09.01
|
|
NNS79254.2
|
Kronos Quartet
|
Piazzolla: Five Tango Sensations
|
16.01.91
|
1. Asleep/ 2. Loving/ 3. Anxiety/ 4. Awake/ 5. Fear
|
NNS79253.2
|
Kronos Quartet
|
Kevin Volans: Hunting, Gathering
|
16.01.91
|
String Quartet No 2
|
NNS79500.2
|
Kronos Quartet / Schnittke
|
Complete Music for String Quartet
|
19.05.98
|
2CD
|
NNS79570.2
|
Lo,Cheikh
|
Bambay Gueej
|
20.06.00
|
with Pee Wee Ellis guesting
|
NNS79471.2
|
Lo,Cheikh
|
Ne la Thiass
|
01.07.97
|
This strong debut from Senegalese singer Cheikh Lo is a healthy hybrid
of African and Cuban rhythms
|
NNS79630.2
|
Lopez,Cachaito
|
Cachaito
|
22.05.01
|
Buena Vista Club mainstay Orlando "Cachaito" Lopez, who is widely regarded
as the best bassist in Cuba, could have taken the safe route and recorded a straightforward collection
of Cuban son/Latin jazz music
|
NNS79645.2
|
MCDONALD, AUDRA
|
HAPPY SONGS
|
02.01.03
|
14 Tracks Standards
|
NNS79580.2
|
MCDONALD, AUDRA
|
HOW GLORY GOES
|
28.03.00
|
Mixture of the same kind of material and older songs by established
theater talents, particularly Harold Arlen
|
NNS79482.2
|
MCDONALD, AUDRA
|
WAY BACK TO PARADISE
|
31.07.90
|
|
NNS60023.2
|
McFerrin,Bobby
|
Bobby McFerrin
|
25.10.90
|
1982 Debut Recording w/H.B. Bennett - drumms/ Victor Feldman - piano/
Phoebe Snow - vocal/...
|
NNS60366.2
|
McFerrin,Bobby
|
Voice
|
25.10.90
|
1984 Recording: The Voice was a milestone in jazz history; it was the
first time a jazz singer had recorded an entire album solo, without accompaniment or overdubbing
|
NNS79120.2
|
Morris,Joan / Bolcom
|
Blue Skies: Songs of Berlin
|
25.06.91
|
|
NNS79363.2
|
Morton,Jelly Roll
|
Piano Rolls
|
27.05.97
|
Jelly Roll Morton's 12 piano rolls of 1924 (which had previously been
put out on LP by Biograph and Everest) often had more life than others of the period, but still
sounded a bit mechanical. Using modern techniques during 1996-97 (including the Yamaha Disklavier),
producer Artis Wodehouse was able to make Morton's piano rolls sound much more alive than they
had previously for this CD
|
NNS79617.2
|
N'dour,Youssou
|
Joko (The Link)
|
05.09.00
|
Featuring mentor Peter Gabriel (survives the cut) and all the remixes,
it's definitely leaner and meaner
|
NNS79654.2
|
N'dour,Youssou
|
Nothings in Vain
|
22.10.02
|
There's been a back-to-acoustic-roots trend among African artists recently,
and even the big names don't seem exempt
|
NNS79685.2
|
Orchestra Baobab
|
Specialist in All Styles
|
08.10.02
|
Guest turns from Ibrahim Ferrer and co-producer Youssou N'Dour
|
NNS79643.2
|
Orchestre Baobab
|
Pirates Choice:The Legendary 1982 Session
|
08.01.02
|
The reissue of this 1982 classic — so named because the album from
the Senegalese band was pirated all over West Africa
|
NNS79460.2
|
OST
|
KUNDUN
|
16.01.01
|
Philip Glass' soundtrack to Martin Scorsese's Dalai Lama epic Kundun
captures the grace, beauty, joy and melancholy within the film
|
NNS61649.2
|
Palmieri,Eddie
|
Palmas
|
21.06.94
|
AFRO-CUBAN JAZZ Piano, Vocal
|
NNS79228.2
|
Panufnik / Arbor Cosmica
|
Sinfonia Sacra
|
28.05.92
|
|
NNS79203.2
|
Paredos,Carlos
|
Guitarra Portuguesa
|
07.08.89
|
Guitar w/Tiago Velez - Flute/ Fernando Alvin - Guitar
|
NNS79568.2
|
Piazzolla / Vivaldi / Kremer /
|
Eight Seasons
|
29.02.00
|
10CD Box Set
|
NNS79469.2
|
Piazzolla,Astor
|
Tango: Zero Hour
|
15.09.98
|
His best work, 1986's "Tango: Zero Hour" was the culmination of a career
that began in Argentina in the 1930s
|
NNS79516.2
|
Piazzolla,Astor
|
Camorra: Solitude of Passionate Provocation
|
18.05.99
|
Recorded with his quintet and originally released in the late '80s
|
NNS79174.2
|
Piazzolla,Astor
|
Concierto Para Bandoneon / Tres Tangos
|
25.10.90
|
1988 Recording: This recording with a classical orchestra is Piazzolla's
apotheosis
|
NNS79407.2
|
Piazzolla,Astor
|
HOMMAGE A PIAZZOLLA
|
12.03.00
|
|
NNS79515.2
|
Piazzolla,Astor
|
Rough Dancer & Cyclical Night
|
21.03.00
|
w/Pianist Pablo Zinger and violinist Fernando Suarez Paz, with guest
spots being filled by bassist Andy Gonzalez and Latin jazz alto sax star Paquito D'Rivera
|
NNS79462.2
|
Piazzolla,Astor / Kremer,Gidon
|
El Tango
|
19.08.97
|
All but four of the songs on the album are compositions by Piazzolla,
but performed by Kremer and his group, along with Piazzolla's guitarists Sergio and Odair Assad
|
NNS79116.2
|
Piazzolla,Astor / Sergio Assad/ Odair Assad
|
Music for Two Guitars
|
28.05.92
|
Accordion
|
NNS79603.2
|
Portuondo,Omara
|
Buena Vista Social Club Presents
|
09.05.00
|
Critics have called her the Edith Piaf of Cuba
|
NNS60799.2
|
President
|
Bring Yr Camera
|
01.07.91
|
AVANT-GARDE Elliott Sharp - Guitar/ Dave Hofstra - Tuba, Bass (Electric)/
Wayne Horvitz - Harmonica, Harmonium, Keyboards, Programming, Producer, Performer, Drum Programming/
Bobby Previte - Drums/ David Tronzo - Guitar (Steel), Slide Guitar/ Doug Wieselman - Sax (Tenor)
|
NNS79499.2
|
Radio Tarifa
|
Temporal
|
28.04.98
|
Radio Tarifa is a Spanish ensemble that has come into its own as a
purveyor of pan-Mediterranean musical styles from across time. With a penchant for traditional
gypsy pieces from Persia, North Africa, and their homeland
|
NNS79472.2
|
Radio Tarifa
|
Rumba Argelina
|
01.07.97
|
The concept of this debut album from Spain's leading roots ensemble
is that you are listening to a radio broadcast in Tarifa, Spain's southernmost point, so that
you might hear a mixture of sounds from Spain and North Africa
|
NNS79629.2
|
Radio Tarifa
|
Cruzando El Rio
|
17.04.01
|
11 Tracks: This, the third disc from Spain's leading roots ensemble,
features a mixture of old and new
|
NNS79101.2
|
Reich,Steve
|
Desert Music
|
25.10.90
|
4CD 1985 Recording, Commissioned by West German Radio and the Brooklyn
Academy of Music, marks a transitional period for Reich. Based in the rhythmic pulse of "Music
for 18 Musicians", he adds a text by William Carlos Williams (sung by a full chorus), uses the
more traditional sounds of a full orchestra (strings and brass are suddenly prominent), and snatches
of melody dot the musical canvas here and there.
|
NNS79170.2
|
Reich,Steve
|
Drumming
|
28.05.92
|
Drumming, Part I - 17:30/ Drumming, Part II - 18:12/ Drumming, Part
III - 11:13/ Drumming, Part IV - 9:47: "Part I" is for four pairs of tuned bongo drums; "Part
II" for three marimbas (played by nine players) and two singers mimicking the sound of marimbas;
"Part III" for three glockenspiels, piccolo, and whistling (played by Reich himself); "Part IV"
for all previous instruments, including voices
|
NNS79448.2
|
Reich,Steve
|
Music for 18 Musicians
|
31.03.98
|
The original recording in 1978 on ECM
|
NNS79430.2
|
Reich,Steve
|
Proverb/Nagoya Marimbas/City Life
|
15.10.96
|
This recording brings together three disparate styles on one record
showcasing Reich's compositional work
|
NNS79552.2
|
Reich,Steve
|
Reich Remixed
|
02.03.99
|
This ten-track collection includes some of the most respected new producers
in the field — from beat veterans Coldcut, Howie B and Kurtis Mantronik to relative newcomers
Andrea Parker and Nobukazu Takemura (aka Child's View)
|
NNS79451.2
|
Reich,Steve
|
Works: 1965-95
|
03.06.97
|
10CD Box Set: This monumental ten-CD retrospective collects the original
recordings of Reich's published music, except for the new recordings of "New York Counterpoint,"
"Eight Lines," "Four Organs," and "Music for 18 Musicians."
|
NNS79546.2
|
Reich,Steve
|
Triple Quartet
|
16.10.01
|
Commission piece for the Kronos Quartet dating to 1999. For this piece
(a suite in three movements), Kronos recorded two quartet scores, then played along with the tape
|
NNS79295.2
|
Reich,Steve / de Leeuw / Schoe
|
Tehillim
|
08.11.94
|
1981 Recording, Including African percussion, the human voice, and
the power of subtly changing patterns
|
NNS79169.2
|
Reich,Steve / Hartenberger
|
Early Works
|
28.05.92
|
Come Out (Reich) - 12:54/ Piano Phase performed by Reich / Nurit Tilles
/ Edmund Niemann - 20:26/ Clapping Music performed by Reich / Russ Hartenberger - 4:39/ It's Gonna
Rain (Reich) - 8:02/ It's Gonna Rain - 9:47
|
NNS79327.2
|
Reich,Steve / Hiller,Paul
|
Cave
|
24.10.95
|
2CD "The Cave" is a December 1994 piece featuring the Steve Reich Ensemble
(conducted by Paul Hillier) in collaboration with video/text writer Beryl Korot. Reich's ensemble
includes four vocalists, four percussionists, three vocalists and a five-piece string section
|
NNS79220.2
|
Reich,Steve / Lso
|
Four Sections/Music for Mallet Instruments, Voices and Organ
|
24.09.90
|
"Four Sections" is performed by the London Symphony Orchestra with
Reich's percussion ensemble, and yet manages to project more personality than the ensemble alone
does on "Music for Mallet Instruments, Voices and Organ". The Four Sections is plain enjoyable
|
NNS79138.2
|
Reich,Steve / Manhattan Marimba Quartet
|
Sextet / 6 Marimbas
|
28.05.92
|
1986 Recording: "Sextet" is pared down to four percussionists and two
keyboardists (the latter including synthesizers); "Six Marimbas," scored for, unsurprisingly,
six marimbas, sounds even closer to the pieces that originally brought Reich to renown and is,
in fact, a rescoring of his "Six Pianos" from 1973
|
NNS79176.2
|
Reich,Steve / Metheny,Pat / Kronos Quartet
|
Different Trains
|
25.10.90
|
This late-'80s work finds the minimalist composer mixing acoustic and
taped material to great effect. The disc's centerpiece is "Different Trains," a work that frames
Reich's impressions of his boyhood train trips between his mother in Los Angeles and his father
in New York
|
NNS79481.2
|
Reich,Steve / Ziporyn / Lubman
|
New York Counterpoint / Eight
|
25.04.00
|
This is a record that serves two purposes: first to offer a retrospective
of Steve Reich's work over the course of three decades and second to showcase the strength and
virtuosity of New York's contemporary ensemble "Bang on a Can"
|
NNS79159.2
|
Rifkin, Joshua
|
Scott Joplin: Piano Rags 1-3
|
25.10.90
|
Piano
|
NNS79505.2
|
SALERNO SONNENBERG, NADJA
|
DARK EYES
|
04.03.00
|
|
NNS61088.2
|
Sanborn,David
|
Another Hand
|
02.07.91
|
w/Syd Straw - Vocals/ Jack DeJohnette - Drums/ Marc Ribot - Guitar
(Acoustic), Guitar, Guitar (Electric)/ Joey Baron - Drums/ Don Alias - Percussion/ Terry Adams
- Piano/ Art Baron - Trombone, Trombone (Bass)/ Greg Cohen - Bass/ Bill Frisell - Guitar (Acoustic),
Guitar, Guitar (Electric)/ Charlie Haden - Bass/ Marcus Miller - Guitar (Bass)/ Mulgrew Miller
- Piano/ Leon Pendarvis - Organ/ Lenny Pickett - Clarinet, Clarinet (Contrabass), Sax (Tenor),
Horn Arrangements/ David Tronzo - Guitar (Acoustic), Guitar/ Al Anderson - Guitar/ Steve Jordan
- Drums
|
NNS79470.2
|
Sangare,Oumou
|
Worotan
|
01.07.97
|
Sangare, a native of Mali, is a vocal master and talented songwriter
|
NNS79576.2
|
Sangare,Oumou
|
Ko Sira
|
17.10.00
|
With unobtrusive electric guitar and bass blending in with more traditional
instruments like flute and djembe, it's both more accessible to modern audiences than traditional
African instrumentation, and not as pop- and dance-oriented as much contemporary African music
|
NNS79575.2
|
Sangare,Oumou
|
Moussolou (Woman)
|
21.09.99
|
Mali singer Oumou Sangare helped modernize the acoustic-native mix
of hunters' songs and sogoninkun dance music she grew up with
|
NNS79461.2
|
Santaolalla,Gustavo
|
Ronroco
|
13.01.98
|
Santaolalla infuses Argentinian music with jazz and prog-rock influences,
creating a unique hybrid layered with harmonic overtones and complex polyrhythms
|
NNS79638.2
|
Sondheim,Stephen
|
Frogs / Evening Primrose
|
16.10.01
|
A musical based on the Aristophanes comedy about Dionysos' journey
to Hades to bring a famous playwright back to earth, which was produced originally in a swimming
pool at Yale University in 1974
|
NNS79686.2
|
Sondheim,Stephen
|
Into the Woods - O.C.R.
|
25.06.02
|
Musical based on fairy tales, closed its original Broadway production
on September 3, 1989, after 765 performances and went on to be mounted by community theaters and
high schools frequently thereafter
|
NNS79609.2
|
Sondheim,Stephen
|
Saturday Night
|
20.06.00
|
Stephen Sondheim's first professional musical, "Saturday Night", was
produced in Chicago in 1999 and finally, on January 18, 2000, opened off-Broadway in New York
|
NNS79222.2
|
Spectrum Compilation
|
New American Music
|
28.05.92
|
Stefan Wolpe - Quartet for tenor saxophone, trumpet, percussion &
piano, 1974/ Seymour Shifrin - Satires of Circumstance for mezzo-soprano & 6 instruments,
1968/ George Rochberg - Serenata d'estate, for flute, harp, guitar & string trio 11:08, 1968/
Milton Babbitt - All Set, for jazz ensemble 7:54, 1974/ Richard Wernick - Kaddish-Requiem for
mezzo-soprano, cantor, 8 instruments & percussion 18:59, 1973
|
NNS60351.2
|
Steps Ahead
|
Modern Times
|
25.10.90
|
1984 Recording w/Warren Bernhardt - Piano, Keyboards/ Michael Brecker
- Synthesizer, Saxophone, Sax (Soprano), Sax (Tenor)/ Peter Erskine - Synthesizer, Percussion,
Drums, Dmx/ Eddie Gomez - Bass/ Craig Peyton - Synthesizer, Bass, Percussion, Programming, Oberheim,
Dmx/ Chuck Loeb - Guitar/ Mike Mainieri - Synthesizer, Percussion, Keyboards, Marimba, Vibraphone
|
NNS79569.2
|
Toure,Ali Farka
|
Radio Mali
|
28.09.99
|
Ali Farka Toure's "Radio Mali" features Malian radio appearances from
1970 to 1978, which were among the first performances to bring the West African guitarist/singer's
work to the attention of his countrymen
|
NNS79345.2
|
Upshaw,Dawn / Stern,Eric
|
I Wish It So
|
02.08.94
|
Vocal
|
|
UPSHAW, DAWN
|
SINGS VERNON DUKE
|
31.07.90
|
14 Tracks 90min
|
NNS79476.2
|
V/A
|
Toda Cuba Le Gusta
|
16.09.97
|
|
NNS79501.2
|
V/A
|
Distinto Diferente
|
23.11.99
|
|
NNS79552.2
|
V/A
|
Reich Remixed
|
02.03.99
|
|
NNS79150.2
|
Varese / Colgrass
|
Percussion Music
|
28.05.92
|
Edgard Varese - Ionisation, for 13 percussion instruments/ Michael
Colgrass - Fantasy-Variations for percussion/ David Saperstein - Antiphonies for percussion/ Henry
Cowell - Ostinato Pianissimo for percussion/ Charles Wuorinen - Symphony ("Percussion Symphony")
|
NNS79429.2
|
Varttina
|
Kokko
|
15.10.96
|
After four previous American releases, the short, sharp and focused
Kokko hones the girl group midnight sunners to a laser beam of pop music strengths in the service
of ditties largely derived from the country's Karelian tradition
|
NNS79631.2
|
Veloso,Caetano
|
Noites Do Norte
|
24.04.01
|
Veloso continues to show his pre-eminence as a singer and songwriter
|
NNS60898.2
|
Veloso,Caetano
|
Estrangeiro
|
29.08.89
|
LATIN JAZZ w/Arto Lindsay & Toni Costa
|
NNS79651.2
|
Veloso,Caetano
|
Live in Bahia
|
29.10.02
|
|
NNS79599.2
|
Veloso,Caetano
|
Omaggio a Federico E Giulietta
|
04.09.01
|
Admiration and reverance to the cinema poetry of Federico Fellini is
notorious
|
NNS79557.2
|
Veloso,Caetano
|
Livro
|
01.06.99
|
Free-thinking explorations of tropicalismo on this ambitiously arranged,
elaborately packaged suite of songs devoted to whatever happens to cross his mindfree-thinking
explorations of tropicalismo on this ambitiously arranged, elaborately packaged suite of songs
devoted to whatever happens to cross his mind
|
NNS79277.2
|
Veloso,Caetano
|
Circulado
|
05.05.92
|
LATIN JAZZ w/Gal Costa/ Gilberto Gil/…
|
NNS79127.2
|
Veloso,Caetano
|
Personalidade
|
25.10.90
|
1985 Recording
|
NNS79339.2
|
Veloso,Caetano / Gil,Gilberto
|
Tropicalia 2
|
03.05.94
|
w/Gilberto Gil
|
NNS79164.2
|
World Sax Quartet
|
Dances & Ballads
|
01.07.91
|
1987 Recording w/w/Hamiet Bluiett - Sax (Baritone)/ Julius Hemphill
- Sax (Alto)/ Oliver Lake - Sax (Alto)/ David Murray - Sax (Tenor)
|
NNS79258.2
|
World Sax Quartet
|
Metamorphosis
|
05.03.91
|
"Metamorphosis" was both the first album released by the World Saxophone
Quartet after the departure of Julius Hemphill (replaced by Arthur Blythe) and the first to incorporate
additional musicians. Here, a trio of African percussionists augments the quartet, and electric
bassist Melvin Gibbs also sits in on three cuts
|
NNS60864.2
|
World Sax Quartet
|
Rhythm & Blues
|
25.10.90
|
1988 Recording w/Hamiet Bluiett - Sax (Baritone), Clarinet (Alto)/
Julius Hemphill - Sax (Alto)/ Oliver Lake - Sax (Alto), Sax (Soprano)/ David Murray - Clarinet
(Bass), Sax (Tenor)
|
NNS79137.2
|
World Sax Quartet
|
Ellington
|
01.07.91
|
1986 Recording w/Hamiet Bluiett - Sax (Baritone)/ Julius Hemphill -
Sax (Alto)/ Oliver Lake - Sax (Alto)/ David Murray - Sax (Tenor)
|
NNS79309.2
|
World Sax Quartet / Bass,Fonte
|
Breath of Life
|
21.06.94
|
This is the second World Saxophone Quartet disc to feature alto saxophonist
Arthur Blythe (who replaced Julius Hemphill) and the first to feature a full rhythm section including
bass, piano, and organ
|
NNS79205.2
|
Yano,Akiko
|
Akiko Yano
|
05.10.90
|
Compilation: w/Chuei Yoshikawa - Guitar (Acoustic), Banjo, Guitar,
Ukulele/ Akiko Yano - Piano, Arranger, Composer, Keyboards, Vocals, Vocals (bckgr)/ Kenji Omura
- Guitar, Guitar (Electric)/ Peter Barakan - Vocals (bckgr)/ Motoya Namaguchi - Percussion/ Haruomi
Hosono - Synthesizer, Bass, Guitar
|
NNS79416.2
|
Yano,Akiko
|
Piano Nightly
|
21.05.96
|
Compilation
|
NNS79279.2
|
Yano,Akiko
|
Love Life
|
31.08.93
|
Compilation: w/Nana Vasconcelos/ Pat Metheny/ Charlie Haden/…
|
NNS79139.2
|
Zorn,John
|
Big Gundown: John Zorn Plays the Music of Ennio Morricone
|
25.10.90
|
1984-85 Recording: ****** The Penguin Guide to Jazz
|
NNS60844.2
|
Zorn,John
|
Spy Vs Spy: The Music of Ornette Coleman
|
25.10.90
|
1988 Recording w/Tim Berne - Sax (Alto)/ Mark Dresser - Bass/ Joey
Baron - Drums/ Michael Vatcher - Drums
|
NNS79172.2
|
Zorn,John
|
Spillane
|
01.07.91
|
1986-87 Recording: Spillane (Zorn) - 25:12/ Preacher Man - 13:30/ Hico
Killer - 4:46/ Forbidden Fruit (Zorn) - 10:20
|
NNS79238.2
|
Zorn,John
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Naked City
|
08.02.90
|
With guitarist Bill Frisell, keyboardist Wayne Horvitz, bassist Fred
Frith, drummer Joey Baron, and guest vocalist Yamatsuka Eye making intense contributions, altoist
Zorn performs his unpredictable originals, abstract versions of some movie themes (including "A
Shot in the Dark," "I Want to Live," "Chinatown," and "The James Bond Theme"), plus Ornette Coleman's
"Lonely Woman."
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