AMPERSAND
Совсем маленький Американский Avant-Garde/Free Improvisation Лэйбл (Newark). Цена дисков такого уровня просто низкая (ориентировочно 12у.е. в Москве). Диски характеризует отличное качество звучания и фирменный дизайн. |
ITEM |
Artist |
Titel |
Reldate |
Comment |
AMPERE 2 |
BAILEY, DEREK |
IMPROVISATION |
12/4/2004 |
Reissue of one of the
all-time classic derek bailey LP's, recorded during a visit to italy during
the mid-70s; Derek Bailey - guitar. recorded at Studi Ricordi, Milano. photos
by Roberto Masotti. originally released in 1975 on Cramps Records, diverso
n.2. manufactured under license from Andromeda Records. |
AMPERE 3 |
CAGE, JOHN |
CHEAP IMITATIONS |
23/02/04 |
Originally released in 1977
on Cramps. three compositions performed by Cage himself on march 7th, 1976 at
the center for contemporary music, Mills College, Oakland, California, and
recorded by "Blue" Gene Tyranny and David Berman. originally composed
when Cage was refused permission to use the arrangement for two pianofortes
for satie's socrates as the accompaniment of Merce Cuinningham's
choreography. re-mastered, and packaged with essays by Tyranny, Daniel
Charles, and Cage (one of which is a cleverly assembled fantasy communication
between he and satie originally written and published in art news annual in
1958). |
AMPERE 6 |
CAGE, JOHN |
EMPTY WORDS (PART III) |
23/02/04 |
2-CD: Empty words is
something of an epic in reverse, a vocal exercise divided into four distinct
parts that gradually break down writings from the Henry David Thoreau Journal
of the same name. a two-cd set package with a 32-page booklet loaded with
amazing photos. mighty fine |
AMPERE 7 |
CARDEW, CORNELIUS |
FOUR PRINCIPLES ON IRELAND
AND OTHER PIECES (1974) |
11/11/2001 |
Cornelius Cardew - Piano: A reissue of the
four principles album originally released in 1975 by political composer
and early AMM collaborator Cornelius Cardew. thirteen beautiful solo piano
pieces steeped in pianistic traditions and reformulated through the poetry,
folk ballads, melodies, and resistance songs of China and Ireland. includes
original track notes by Cardew, new liner notes by Virginia Anderson,
and previously unpublished photos of Cardew. |
AMPERE 5 |
DUCHAMP, MARCEL/S.E.M.
ENSEMBLE |
ENTIRE MUSICAL WORK OF
MARCEL DUCHAMP |
20/01/01 |
French
Dadaist Marcel Duchamp was an influential figure in the development of
20th century avant-garde, causing a stir with innovations in the visual
arts with his sculpture and painting, but he also utilized chance operations
in composing. Starting as a painter influenced by fauvism, Duchamp developed
a cubist painting style similar to futurism. |
AMPERE 8 |
FLYNT, HENRY |
GRADUATION & OTHER NEW
COUNTRY AND BLUES MUSIC |
21/10/01 |
Henry Flynt - Violin, Vocals: Collects material
recorded between 1975 and 1979 by Henry Flynt. His intent was to release
an album of avant-garde hillbilly music in 1980, but the project was shelved
until the record label Ampersand dusted it down in 2001. The music is
enlightened by Flynt's virtuoso fiddling. Uncredited musicians provide
drums, bass, rhythm guitar, slide guitar, and occasional saxophone and
organ. |
AMPERE 1 |
GRILLO, FERNANDO |
FLUVINE |
12/4/2004 |
Fernando Grillo - Double Bass: Originally
released as part of cramps' diverso series in 1976, grillo's fluvine has
long been regarded as an important and influential audio document by netherworld
artists like nurse with wound. karlheinz stockhausen dubbed him the "buddha
of the contrabass," and avant garde heavy hitters iannis xenakis,
luciano berio, luigi nono, klaus huber, henri posseur, and iancu dumitrescu
have all composed for him. this is the first-ever, fully re-mastered cd
issue of grillo's solo explorations of the limits of contrabass. includes
several archival photographs, schematic scores, original notes by grillo,
and retrospective notes by french composer ana-maria avram. packaged in
a standard jewel box with an outer slipcase |
AMPERE 4 |
GRUPPO DI IMPROVVISAZIONE
NUOVO CONCONANZA |
MUSICA SU SCHEMI |
23/02/04 |
Ennio Morricone - Flute, Trumpet/ Egisto Macchi
- Percussion, Strings/ Franco Evangelisti - Percussion, Piano/ Giovanni
Piazza - Flute, Violin, Horn/ Antonello Neri - Piano, Recorded at Orthophonic
recording studio, Rome. photos by Roberto Masotti. originally released
in 1976 on Cramps Records, Nova Musicha n.9. manufactured under license
from Andromeda Records. direction by Dawson Prater. |
AMPERE 12 |
KNIZAK, MILAN |
BROKEN MUSIC |
3/3/2002 |
Czech, mostly known in
America for his membership in Fluxus in the 1960s-1970s. First released in
1979 on the microscopic label Multhipla, it went by largely unnoticed. Its CD
reissue in 2002 by Ampersand forced a reappraisal of Milan Knizak's
pioneering work, especially in the wake of his followers Christian Marclay
(first non-rap DJ) and Martin Tetreault Electronics). The five pieces
presented here all consist of Knizak's modified LPs being played (on one or
two turntables it seems). Nothing is sacred: classical music, religious
music, jazz, rock, or pop any recorded work is susceptible to be submitted
to the torture chamber. |
AMPERE 10 |
KUBISCH, CHRISTINA |
TEMPO LIQUIDO |
23/02/04 |
Christina
Kubisch (Germany) - Flute (Alto), Vocals, Swanee (Slide Whistle): This
performance started with a four-channel ambient sound that continued throughout
the performance. since there were no sampling possibilities at that time,
all of the instruments were recorded solo in the studio on a revox machine.
the recordings--one channel for each instrument--were repeated several
times in order to create a kind of "mega-loop." the final result
was transferred to a four-channel-tape for the performance. the superimposition
of the sequences of different durations generate continuous layers of
sound with minimal variations: a music that could go on forever. |
AMPERE 9 |
KUBISCH, CHRISTINA |
TWO & TWO |
21/10/01 |
A cd reissue of the 1976
collaboration between intermedia maverick Fabrizio Plessi and onetime kagel
student Kubisch. named in reference to the four elements, the pieces here
submerge such diverse instruments as electric vibrator, swannee whistle,
waterjet on steel drum, electronic metronome, and contact mic on ventilator
in the duo's vast acoustic processes. if you can't do enough for the local
electro-clang and dronescape pest, this oughta make the little know-it-all
shut up and go away for a while. have a good afternoon. |
AMPERE 11 |
VAGGIONE, HORACIO |
LA MAQUINA DE CANTAR |
23/02/04 |
Elizabeth Wiener - Electronics & Horacio
Vaggione (Argentinian electro-acoustic composer) - Electronics: Recorded
at Studi Regson, Milano. produced by Walter Marchetti. photos by Giovanni
Giovanelli. originally released in 1978 on Cramps Records, nova musicha
n.18. manufactured under license from Andromeda Records. reissue direction
by Dawson Prater. |
|
|
|
|
|
mah@sotsugol.ru
Сайт создан в системе uCoz
|